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Michel Legrand’s “How Do You Keep the Music Playing?” was especially apt, both as inspirational message (“If we can try with every day to make it better as it grows/With any luck, then I suppose/The music never ends”) and as commentary on the Gaga-Bennett partnership. But he remains one of the great ballad stylists, and on this victory lap he used the slow tunes to remind the adoring crowd to live, love, and be kind. This listener was initially worried about Bennett’s voice, too: he didn’t so much sing the introductory “Anything Goes” as bark it, a problem that resurfaced on other up-tempo numbers. Of course, it’s hard to be subtle when you’re wearing six-inch heels and a gown and wig that look like they were designed by Elsa the Snow Queen for Frederick’s of Hollywood. For now, though, she has a hard time turning her stadium-bred flamboyance down to the point where she can convey real intimacy she often hits her notes too hard or slides off into adenoidal stridency. At points, such as her reading of Cole Porter’s “Ev’ry Time We Say Goodbye”, she even suggested that she might someday become an effective torch-song stylist, or at least an assured Broadway belter.
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She’s got a voice, sure, and on Monday she showed that she can survive without Auto-Tune and other electronic aids. The biggest of these, of course, is that Gaga is no jazz singer. The sheer charm of their rapport went a long way toward masking some aesthetic and structural problems in their presentation. And then there’s the simple fact that, beyond their shared New York Italian roots, Stefani Joanne Angelina Germanotta and Anthony Dominick Benedetto seem to like each other quite a lot. For Gaga, it’s an opportunity to relax a little, learn the subtleties of stagecraft from a master entertainer, and-no small matter for one who lives to perform-position herself for an ongoing career once her brand of mild shock and extreme spectacle loses its allure. For Bennett, who’s beginning to show signs of physical frailty and vocal deterioration, it’s a chance to go out on top, playing to sold-out houses in the company of one of this era’s biggest stars. They might occupy opposite ends of the generational spectrum-she’s 29, he’s 88-but the idea of Lady Gaga and Tony Bennett sharing an album, an Austin City Limits appearance, and now a concert tour is far from bizarre.
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Anything that did change, he wasn’t aware of.At the Queen Elizabeth Theatre on Monday, May 25. “He’d tell me, ‘Susan, I feel fine.’ That’s all he could process - that physically he felt great. “He would ask me, ‘What is Alzheimer’s?’ I would explain, but he wouldn’t get it,” she recalled. We have great doctors, helping us with the exercise.”Ĭrow, 54, said that her husband remains happy and had a calm reaction to his diagnosis, in part because he “already didn’t understand” what was going on at the time. “But I feel badly talking about it because we are so much more fortunate than so many people with this diagnosis. It’s no fun arguing with someone who doesn’t understand you,” Crow, who married Bennett in June 2007, told the magazine with a laugh. “I have my moments and it gets very difficult. The legendary jazz singer’s wife, Susan Crow, revealed during an interview with AARP published on Monday, February 1, that the 94-year-old was diagnosed with the neurodegenerative disease in 2016.